Key points
- Mihailova analyses deepfake satire, where face-swap AI is used to critique powerful figures and institutions.
- She argues synthetic media moves beyond utopia and dystopia binaries to enable progressive social and political critique.
- Case studies include Sassy Justice, the SeeAsAmStar campaign, and the Spectre / Big Dada installation.
Summary
Mihailova examines deepfake satire as an underexamined but vibrant subgenre of AI art that turns face-swap technology into pointed social and political critique. Through projects targeting entertainment figures, tech entrepreneurs, and authoritarian leaders, she argues synthetic media holds progressive possibilities beyond its well-known harms, positioning the work within traditions of culture jamming and satire. It is a deeper, single-topic companion to her In Focus dossier on AI and the moving image.
Related items
Source
Source: Afterimage: The Journal of Media Arts and Cultural Criticism ↗ (Research)
Cite this item
Mihaela Mihailova (2023). ‘Deepfake Satire and the Possibilities of Synthetic Media’, Afterimage: The Journal of Media Arts and Cultural Criticism. Available at: https://online.ucpress.edu/afterimage/article/50/3/81/197199/Deepfake-Satire-and-the-Possibilities-of-Synthetic
Your reference manager can also read this page directly: with the Zotero (or Mendeley) browser connector installed, save it straight to your library. Whole-collection exports: RIS, BibTeX, CSL-JSON.